Merry Christmas and please forgive me. I honestly intended to post a Christmas Freebie on the 24th, but alas, it slipped right by me. But…. Never fear, the FREEBIE is HERE!
Click the link to unlock your gift (better late than never). A full 45minute uncut video shot with my iPad of our vocal workshop earlier this month. Thank you for your loyalty and ENJOY!
THIS LINK is time sensitive so don’t delay because this FREEBIE will go away.
Good morning vocalists!
How do you feel about your level of competency as a musician/vocalist? It’s a curious thing to see the number of people who have no idea what they sound like when they sing. Some folk’s unconscious incompetence is clear to those listening but they have no clue they are singing off pitch.
Here’s a little something that can help you determine what stage you are in regarding your competency. It can be helpful in giving you perspective in setting and pursuing your goals.
THE FOUR STAGES OF COMPETENCE
– Unconscious incompetence
The individual does not understand or know how to do something and does not necessarily recognize the deficit. They may deny the usefulness of the skill. The individual must recognize their own incompetence, and the value of the new skill, before moving on to the next stage. The length of time an individual spends in this stage depends on the strength of the stimulus to learn.
– Conscious incompetence
Though the individual does not understand or know how to do something, he or she does recognize the deficit, as well as the value of a new skill in addressing the deficit. The making of mistakes can be integral to the learning process at this stage.
– Conscious competence
The individual understands or knows how to do something. However, demonstrating the skill or knowledge requires concentration. It may be broken down into steps, and there is heavy conscious involvement in executing the new skill.
– Unconscious competence
The individual has had so much practice with a skill that it has become “second nature” and can be performed easily. As a result, the skill can be performed while executing another task. The individual may be able to teach it to others, depending upon how and when it was learned.
Good Thursday Vocalists!
Have you ever thought about how people who like to sing fall into two categories,.. those who can sing and those who have to work at it? The truth is, even those who can sing need guidance. Singing / vocal lessons are for anyone who wants to sing well.
Even the most gifted singers take lessons. Take Michael Jackson for instance. He worked as hard at improving and maintaing his voice as he did at making great quality productions. He had a super talent even as a child. If you listen to his earliest childhood recordings you can identify some great singing but also some technique that needed improving and he did just that and took his voice to the highest level he was capable of. He improved his range to about 4 octaves and sang effortlessly from F1 to C6.
I’ve often referred to the following “rare audio. In a hotel room in ’94.” The recording was taken during a vocal session by phone with renowned Speech Level Singing creator, Seth Riggs. Yes, even Michael Jackson appreciated the benefits of vocal lessons.
So remember, if you want to sing as good as your favorite singer, they took lessons to get that great voice.
“Coordination of the vocal cords takes a sense of awareness of how your voice works, vocal mechanics, and an ability to identify, isolate and control vocal function. Most singers have no idea what their voices are doing apart from training and would benefit from a few good lessons to help them on their way.
Blending in with other vocalists is a balance of lyric, tonal quality, timing, dynamic and sensitivity. Not only does a vocalist need to be flexible vocally but they must be flexible when it comes to following and mimicking genre and stylistics. Each group or band has their own style that is developed through the preferences and style of the leader or type of group such as a classical choir, barbershop singers or rock band as well as all that the individuals bring to the group as a whole. Learning to sing in a number of styles makes the backup vocalist a valuable part of the team. Any backup vocalist should know it’s important to be aware of their strengths and weaknesses and be willing to devote themselves to always be improving their talent so they can be the best fit in any situation. Good luck, God bless and Sing On!”
(reposted by Cosima on an earlier post)
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Good Monday, Singers! It’s good to be back after a road trip to northern cali, a funeral and a wedding I’m ready to dig in and get some singing on with all you great singers. Here’s today’s singing tip to get things started:
Not only is your voice your instrument but you are a vocal athlete too. Every athlete follows a training regime to strengthen, grow and perfect their technique. Training includes not only the muscles but the whole body and mind through exercises and other factors such as diet, hydration and rest.
It’s important to consider what goes into your body uninvited. Smoke, fumes, smog and allergens all can have an negative effect on your instrument.
Having a healthy lifestyle and using wisdom and caution regarding your environment can be helpful in the improvement and safety of your voice. It’s all a matter of being a conscious singer. Be conscious of your surroundings, your diet, sleep patterns, and other good health factors and you’ll improve your options to Sing On! for years to come.
Every body can sing!
Every human body has the same anatomy and we all can develop our voices to sing well. That doesn’t mean that everyone’s voice is going to be as awesome as their favorite singer, but it does mean that with proper technique everybody can produce a healthy, free, resonant sound. That means YOU!!
In singing, relaxation is key. Learn to observe and feel your body and understand its behaviors; it will always tell you what’s going on, but most of the time we don’t pay attention. People have various tensions and it takes time and patience to retrain how your body behaves – but it’s totally doable! And a relaxed voice is the foundation for good singing.
So, first things first… for the next 24 hours (any date after reading this post) see if you can practice a relaxed posture in your body and voice during singing. Set aside several 5 minute spots in your day to purposefully sing with a mindset to focus on removing tension when you sing. Don’t allow yourself to indulge in your regular singing habits any time during the 24 hour period. Don’t worry about whether your voice sounds good just make sure you have released all tension in your jaw, tongue, throat, vocal apparatus, face, shoulders and body. Think about freeing up your voice. Your voice shouldn’t feel trapped in your throat or sound muddy. A breathy sound is ok, but it should feel free of all tension.
Repeat several times over the next 24 hours remembering to avoid any other kind of singing. Allow what you’ve learned from the experience to get you in touch with your voice. Then come on back to this post and share your comments. Let me know how it went. Ask questions and share some feedback. Let’s get talking!!
One of my vocal students tweeted the following complaint in regards to singing, to which a short conversation got me involved on facebook. Check out the conversation and add your comments or questions. Let’s see if anyone else out there has similar singing challenges!
uggghhh…why must Hillsong songs be so vocally challenging for me…well except for Mighty To Save. but I will press on #challengeaccepted
Why is “mighty to save” not challenging to sing?? I would always choose that song before my vocal lessons because it didn’t seem hard… Maybe Cosima can tell us why?
Cosima ~From TheVoiceBox:
Ahhh that’s easy! First off, Mighty To Save only has one octave in it. That’s a very small range so if you sing it in a key you are comfortable in there’s no challenge at all. You could, in fact, sing the whole song in your chest voice thereby avoiding singing into your head voice.
Essentially, that’s like using only the speaking range of your voice and I don’t know anyone who has trouble speaking unless they have an impairment.
Secondly, the melody is highly repetitive and is uncomplicated melodically as well as lyrically making it a no brainer. So… you can sing the whole song in your speaking range, and you don’t have to concentrate too hard.
Finally, the song starts at the low end of the scale and slowly makes it’s way up to the octave during the bridge, giving your voice time to set up for the “high” note. What could be easier?
BTW, this would make a nice lesson in good songwriting for worship.
(My response assumes that Cherry had transposed the song into a key she was comfortable in.)